Get Naughty
30s preview
- BPM
- 155
- Half-time
- 78
- Open Key
- 3d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 3:38
- Released
- 2025
- Genre
- Techno
- Loudness
- -3.1 dB
- Dynamics
- 9.7 dB
- ISRC
- GBLV62506620
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 155 BPM in D major (10B), Get Naughty is a fast techno production. The feel is dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More underground than 99% of Charlie Sparks's catalogue. For programming, treat it as a high-intensity peak cut.
- Groove:
- less groove-driven than 87% of Charlie Sparks's catalogue
- Tempo:
- faster than 86% of Charlie Sparks's catalogue
- Low end:
- more treble-tilted than 82% of Charlie Sparks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Get Naughty in?
Get Naughty by Charlie Sparks is in D major, or 10B on the Camelot wheel.
What BPM is Get Naughty?
Get Naughty runs at 155 BPM, a fast track.
What mixes well with Get Naughty?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Get Naughty good for peak time?
With energy 100 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 155 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More techno
More from Charlie Sparks
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
