Adductor Mobility by Marco Ginelli cover art

Adductor Mobility

Marco Ginelli

Key
4A · F minor
BPM
155
Half-time
78
Open Key
9m
Energy
99/100
Pop
0/100
Length
5:49
Released
2024
Genre
Techno
Loudness
-5.5 dB
ISRC
CA5KR2481382

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast techno cut, Adductor Mobility sits in F minor (4A) at 155 BPM. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Marco Ginelli's catalogue. For programming, treat it as a high-intensity peak cut.

Tempo:
faster than 97% of Marco Ginelli's catalogue
Energy:
hotter than 94% of Marco Ginelli's catalogue
Groove:
less groove-driven than 88% of Marco Ginelli's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood9Dark
Groove53
Acoustic0
Instrumental70
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Adductor Mobility in?

Adductor Mobility by Marco Ginelli is in F minor, or 4A on the Camelot wheel.

What BPM is Adductor Mobility?

Adductor Mobility runs at 155 BPM, a fast track.

What mixes well with Adductor Mobility?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Adductor Mobility good for peak time?

With energy 99 out of 100 at 155 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 155 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 155 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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