Asshole - HardtraX & Jackhamma Remix
- Key
- 9B · G major
- BPM
- 157
- Half-time
- 79
- Open Key
- 2d
- Energy
- 100/100
- Pop
- 0/100
- Length
- 5:49
- Released
- 2006
- Album
- Dead End
- Genre
- Hard Techno
- Loudness
- -6.1 dB
- ISRC
- DEAR40810189
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Assholeoriginal11A · 155
Against the original (11A at 155 BPM), this version runs 2 BPM faster and moves the key from 11A to 9B.
Asshole - HardtraX & Jackhamma Remix is a fast hard techno track in G major (9B) at 157 BPM. It reads as dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. A 2006 production that still circulates in sets. Less groove-driven than 99% of O.B.I.'s catalogue. In a set it works best as a high-intensity peak cut.
- Reach:
- more underground than 99% of O.B.I.'s catalogue
- Tempo:
- faster than 95% of O.B.I.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Asshole - HardtraX & Jackhamma Remix in?
Asshole - HardtraX & Jackhamma Remix by O.B.I. is in G major, or 9B on the Camelot wheel.
What BPM is Asshole - HardtraX & Jackhamma Remix?
Asshole - HardtraX & Jackhamma Remix runs at 157 BPM, a fast track.
What mixes well with Asshole - HardtraX & Jackhamma Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Asshole - HardtraX & Jackhamma Remix good for peak time?
With energy 100 out of 100 at 157 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 157 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 148-166 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 157 — beatmatch without a big tempo pull.
More hard techno
More from O.B.I.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 157 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
