Control Yourself
30s preview
- Key
- 8B · C major
- BPM
- 160
- Half-time
- 80
- Open Key
- 1d
- Energy
- 99/100
- Pop
- 29/100
- Length
- 3:45
- Released
- 2025
- Genre
- Techno
- Loudness
- -4.8 dB
- Dynamics
- 9.3 dB
- ISRC
- NL8RL2562181
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Control Yourself is a very fast techno track in C major (8B) at 160 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 98% of Rebekah's catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more treble-tilted than 94% of Rebekah's catalogue
- Energy:
- hotter than 91% of Rebekah's catalogue
- Tempo:
- faster than 85% of Rebekah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Control Yourself in?
Control Yourself by Rebekah is in C major, or 8B on the Camelot wheel.
What BPM is Control Yourself?
Control Yourself runs at 160 BPM, a very fast track.
What mixes well with Control Yourself?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Control Yourself good for peak time?
With energy 99 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 160 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More techno
More from Rebekah
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
