Naked Light - Sara Landry Remix by Sara Landry cover art

Naked Light - Sara Landry Remix

Sara Landry

30s preview

Key
9A · E minor
BPM
160
Half-time
80
Open Key
2m
Energy
91/100
Pop
41/100
Length
5:18
Released
2024
Album
Naked Light RMX
Genre
Techno
Loudness
-6.9 dB
Dynamics
8.6 dB
ISRC
GBLV62411361

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A very fast techno cut, Naked Light - Sara Landry Remix sits in E minor (9A) at 160 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 93% of Sara Landry's catalogue. In a set it works best as a high-intensity peak cut.

Tempo:
faster than 78% of Sara Landry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy91
Mood27Dark
Groove46
Acoustic0
Instrumental72
Live19
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Naked Light - Sara Landry Remix in?

Naked Light - Sara Landry Remix by Sara Landry is in E minor, or 9A on the Camelot wheel.

What BPM is Naked Light - Sara Landry Remix?

Naked Light - Sara Landry Remix runs at 160 BPM, a very fast track.

What mixes well with Naked Light - Sara Landry Remix?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Naked Light - Sara Landry Remix good for peak time?

With energy 91 out of 100 at 160 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 160 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 160 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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