Reality Check by Sara Landry cover art

Reality Check

Sara Landry

30s preview

Key
2B · F♯ major
BPM
155
Half-time
78
Open Key
7d
Energy
89/100
Pop
57/100
Length
4:53
Released
2026
Genre
Techno
Loudness
-4.1 dB
Dynamics
9.3 dB
ISRC
GXFCP2600109

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A fast techno cut, Reality Check sits in F♯ major (2B) at 155 BPM. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 96% of Sara Landry's catalogue. For programming, treat it as a high-intensity peak cut.

Brightness:
darker than 94% of Sara Landry's catalogue
Energy:
calmer than 81% of Sara Landry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood4Dark
Groove58
Acoustic0
Instrumental60
Live35
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Reality Check in?

Reality Check by Sara Landry is in F♯ major, or 2B on the Camelot wheel.

What BPM is Reality Check?

Reality Check runs at 155 BPM, a fast track.

What mixes well with Reality Check?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Reality Check good for peak time?

With energy 89 out of 100 at 155 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#Track

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 155 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 155 — beatmatch without a big tempo pull.

#Track

More techno

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track