Chaos Magicka by Sara Landry cover art

Chaos Magicka

Sara Landry

30s preview

Key
1B · B major
BPM
155
Half-time
78
Open Key
6d
Energy
89/100
Pop
46/100
Length
7:09
Released
2023
Genre
Techno
Loudness
-7.5 dB
Dynamics
8.3 dB
ISRC
DGA062349193

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 155 BPM in B major (1B), Chaos Magicka is a fast techno production. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 82% of Sara Landry's catalogue. For programming, treat it as a high-intensity peak cut.

Reach:
better known than 82% of Sara Landry's catalogue
Energy:
calmer than 79% of Sara Landry's catalogue
Groove:
groovier than 79% of Sara Landry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy89
Mood49Balanced
Groove70
Acoustic5
Instrumental82
Live62
Speech16

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Chaos Magicka in?

Chaos Magicka by Sara Landry is in B major, or 1B on the Camelot wheel.

What BPM is Chaos Magicka?

Chaos Magicka runs at 155 BPM, a fast track.

What mixes well with Chaos Magicka?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Chaos Magicka good for peak time?

With energy 89 out of 100 at 155 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 155 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 155 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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