Havana Bounce by Sara Landry cover art

Havana Bounce

Sara Landry

30s preview

Key
8B · C major
BPM
160
Half-time
80
Open Key
1d
Energy
99/100
Pop
49/100
Length
4:32
Released
2025
Genre
Techno
Loudness
-4.8 dB
Dynamics
9.5 dB
ISRC
FRX762558769

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Havana Bounce runs 160 BPM in C major (8B), a very fast techno record. It reads as bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Brighter than 91% of Sara Landry's catalogue. In a set it works best as a high-intensity peak cut.

Reach:
better known than 87% of Sara Landry's catalogue
Energy:
hotter than 85% of Sara Landry's catalogue
Low end:
more treble-tilted than 82% of Sara Landry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy99
Mood74Bright
Groove69
Acoustic0
Instrumental84
Live9
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Havana Bounce in?

Havana Bounce by Sara Landry is in C major, or 8B on the Camelot wheel.

What BPM is Havana Bounce?

Havana Bounce runs at 160 BPM, a very fast track.

What mixes well with Havana Bounce?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Havana Bounce good for peak time?

With energy 99 out of 100 at 160 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 160 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 160 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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