The Final Fight - Boris S. Remix
30s preview
- Key
- 8B · C major
- BPM
- 158
- Half-time
- 79
- Open Key
- 1d
- Energy
- 87/100
- Pop
- 0/100
- Length
- 7:11
- Released
- 2015
- Album
- The Final Fight
- Genre
- Hard Techno
- Loudness
- -11.0 dB
- Dynamics
- 8.7 dB
- ISRC
- DEH741509541
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Final Fight - Malke Remixremix7A · 155
- The Final Fight - SlugoS Remixremix2A · 154
- The Final Fight - SveTec Remixremix12A · 150
- The Final Fightoriginal10B · 154
- The Final Fight - Non Vocal Mixoriginal10A · 154
Against the original (10B at 154 BPM), this version runs 4 BPM faster and moves the key from 10B to 8B.
A fast hard techno cut, The Final Fight - Boris S. Remix sits in C major (8B) at 158 BPM. The feel is dark and driving. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. More underground than 99% of O.B.I.'s catalogue. In a set it works best as a high-intensity peak cut.
- Low end:
- more bass-heavy than 98% of O.B.I.'s catalogue
- Tempo:
- faster than 97% of O.B.I.'s catalogue
- Energy:
- calmer than 96% of O.B.I.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is The Final Fight - Boris S. Remix in?
The Final Fight - Boris S. Remix by O.B.I. is in C major, or 8B on the Camelot wheel.
What BPM is The Final Fight - Boris S. Remix?
The Final Fight - Boris S. Remix runs at 158 BPM, a fast track.
What mixes well with The Final Fight - Boris S. Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is The Final Fight - Boris S. Remix good for peak time?
With energy 87 out of 100 at 158 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 158 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 149-167 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 158 — beatmatch without a big tempo pull.
More hard techno
More from O.B.I.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 158 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
