Code Black - Slam Remix
30s preview
- Key
- 8A · A minor
- BPM
- 130
- Open Key
- 1m
- Energy
- 76/100
- Pop
- 28/100
- Length
- 6:53
- Released
- 2017
- Album
- Fear Paralysis (The Remixes)
- Genre
- Techno
- Label
- Soma Quality Recordings
- Loudness
- -9.8 dB
- Dynamics
- 8.3 dB
- ISRC
- GBBVL1704931
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Code Blackoriginal9B · 129
- Code Blackoriginal9B · 129
Against the original (9B at 129 BPM), this version runs 1 BPM faster and moves the key from 9B to 8A.
A peak-time tempo techno cut, Code Black - Slam Remix sits in A minor (8A) at 130 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Better known than 97% of Rebekah's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 77% of Rebekah's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 24%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Code Black - Slam Remix in?
Code Black - Slam Remix by Rebekah is in A minor, or 8A on the Camelot wheel.
What BPM is Code Black - Slam Remix?
Code Black - Slam Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Code Black - Slam Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Code Black - Slam Remix good for peak time?
With energy 76 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 130 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Rebekah
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
