Trapped - Parham & Plaza Remix
- BPM
- 130
- Open Key
- 3d
- Energy
- 76/100
- Pop
- 0/100
- Length
- 10:32
- Released
- 2005
- Album
- Trapped
- Genre
- Progressive House
- Loudness
- -10.1 dB
- ISRC
- USQY51281099
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Trapped (Chris Micali's No Really I Can Make the Kick Louder mix)original8B · 130
- Trapped - Dousk Remixremix9B · 126
- Trapped - Flow & Zeo Remixremix3A · 126
- Trapped - Avilo Remixremix9A · 125
- Trapped - Dousk Remixremix9B · 126
- Trapped - Flow & Zeo Remixremix3A · 126
Against the original (8B at 130 BPM), this version holds the same tempo and moves the key from 8B to 10B.
Trapped - Parham & Plaza Remix is a peak-time tempo progressive house track in D major (10B) at 130 BPM. Tonally it lands punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2005 production that still circulates in sets. More underground than 99% of Kasey Taylor's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 96% of Kasey Taylor's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Trapped - Parham & Plaza Remix in?
Trapped - Parham & Plaza Remix by Kasey Taylor is in D major, or 10B on the Camelot wheel.
What BPM is Trapped - Parham & Plaza Remix?
Trapped - Parham & Plaza Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Trapped - Parham & Plaza Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Trapped - Parham & Plaza Remix good for peak time?
With energy 76 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 130 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More progressive house
More from Kasey Taylor
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
