
Trapped - Flow & Zeo Remix
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 75/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2008
- Album
- Gems
- Genre
- Progressive House
- Label
- Psy Hi Records
- Loudness
- -13.3 dB
- Dynamics
- 13.5 dB
- ISRC
- DKZVA0800401
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Trapped (Chris Micali's No Really I Can Make the Kick Louder mix)original8B · 130
- Trapped - Dousk Remixremix9B · 126
- Trapped - Avilo Remixremix9A · 125
- Trapped - Dousk Remixremix9B · 126
- Trapped - Flow & Zeo Remixremix3A · 126
- Trappedoriginal5A · 130
Against the original (8B at 130 BPM), this version runs 4 BPM slower and moves the key from 8B to 3A.
Trapped - Flow & Zeo Remix: club-tempo progressive house, B♭ minor (3A), 126 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2008 production that still circulates in sets. More underground than 99% of Kasey Taylor's catalogue.
- Brightness:
- brighter than 96% of Kasey Taylor's catalogue
- Groove:
- groovier than 90% of Kasey Taylor's catalogue
- Low end:
- more treble-tilted than 83% of Kasey Taylor's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Trapped - Flow & Zeo Remix in?
Trapped - Flow & Zeo Remix by Kasey Taylor is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Trapped - Flow & Zeo Remix?
Trapped - Flow & Zeo Remix runs at 126 BPM, a club-tempo track.
What mixes well with Trapped - Flow & Zeo Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Trapped - Flow & Zeo Remix good for peak time?
With energy 75 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Kasey Taylor
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.