Lucky Punch - District One a.k.a. Bart Skils & Anton Pieete Remix
- BPM
- 126
- Open Key
- 8m
- Energy
- 75/100
- Pop
- 0/100
- Length
- 7:08
- Released
- 2009
- Album
- Lucky Punch
- Genre
- Tech House
- Loudness
- -8.3 dB
- ISRC
- DEHK30900074
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lucky Punchoriginal10A · 126
- Lucky Punchoriginal10A · 126
- Lucky Punch - Second Floor Edit (Digtial Bonus)version10A · 126
Against the original (10A at 126 BPM), this version holds the same tempo and moves the key from 10A to 3A.
At 126 BPM in B♭ minor (3A), Lucky Punch - District One a.k.a. Bart Skils & Anton Pieete Remix is a club-tempo tech house production. It reads as bright and euphoric. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2009 production that still circulates in sets. More underground than 99% of Marcus Meinhardt's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 97% of Marcus Meinhardt's catalogue
- Groove:
- groovier than 85% of Marcus Meinhardt's catalogue
- Tempo:
- faster than 79% of Marcus Meinhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Lucky Punch - District One a.k.a. Bart Skils & Anton Pieete Remix in?
Lucky Punch - District One a.k.a. Bart Skils & Anton Pieete Remix by Marcus Meinhardt is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Lucky Punch - District One a.k.a. Bart Skils & Anton Pieete Remix?
Lucky Punch - District One a.k.a. Bart Skils & Anton Pieete Remix runs at 126 BPM, a club-tempo track.
What mixes well with Lucky Punch - District One a.k.a. Bart Skils & Anton Pieete Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Lucky Punch - District One a.k.a. Bart Skils & Anton Pieete Remix good for peak time?
With energy 75 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Marcus Meinhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
