Endjoy
- BPM
- 121
- Open Key
- 3d
- Energy
- 60/100
- Pop
- 40/100
- Length
- 6:55
- Released
- 2018
- Genre
- Tech House
- Loudness
- -10.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 121 BPM in D major (10B), Endjoy is a club-tempo tech house production. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2018 production that still circulates in sets. Better known than 99% of Marcus Meinhardt's catalogue.
- Brightness:
- brighter than 92% of Marcus Meinhardt's catalogue
- Tempo:
- slower than 87% of Marcus Meinhardt's catalogue
- Groove:
- groovier than 85% of Marcus Meinhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Endjoy in?
Endjoy by Marcus Meinhardt is in D major, or 10B on the Camelot wheel.
What BPM is Endjoy?
Endjoy runs at 121 BPM, a club-tempo track.
What mixes well with Endjoy?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Endjoy good for peak time?
With energy 60 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 121 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More tech house
More from Marcus Meinhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
