Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix) by Guy Mantzur cover art

Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix)

Guy Mantzur

30s preview

Key
9A · E minor
BPM
126
Open Key
2m
Energy
75/100
Pop
0/100
Length
7:48
Released
2010
Genre
Progressive House
Loudness
-11.0 dB
Dynamics
13.6 dB
ISRC
DEY030900148

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix): club-tempo progressive house, E minor (9A), 126 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2010 production that still circulates in sets. More underground than 99% of Guy Mantzur's catalogue. In a set it works best as a floor-filler.

Brightness:
brighter than 92% of Guy Mantzur's catalogue
Tempo:
faster than 79% of Guy Mantzur's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood74Bright
Groove77
Acoustic2
Instrumental86
Live41
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix) in?

Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix) by Guy Mantzur is in E minor, or 9A on the Camelot wheel.

What BPM is Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix)?

Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix) runs at 126 BPM, a club-tempo track.

What mixes well with Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix)?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix) good for peak time?

With energy 75 out of 100 at 126 BPM, it works best as a floor-filler.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 126 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More progressive house

More from Guy Mantzur

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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