
Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix)
30s preview
- Key
- 9A · E minor
- BPM
- 126
- Open Key
- 2m
- Energy
- 75/100
- Pop
- 0/100
- Length
- 7:48
- Released
- 2010
- Genre
- Progressive House
- Loudness
- -11.0 dB
- Dynamics
- 13.6 dB
- ISRC
- DEY030900148
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix): club-tempo progressive house, E minor (9A), 126 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2010 production that still circulates in sets. More underground than 99% of Guy Mantzur's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 92% of Guy Mantzur's catalogue
- Tempo:
- faster than 79% of Guy Mantzur's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix) in?
Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix) by Guy Mantzur is in E minor, or 9A on the Camelot wheel.
What BPM is Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix)?
Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix) runs at 126 BPM, a club-tempo track.
What mixes well with Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Moon Walking (Guy Mantzur & Shlomi Shafir Involved mix) good for peak time?
With energy 75 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 126 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Guy Mantzur
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.