Roads Under Ramallah
30s preview
- BPM
- 126
- Open Key
- 9d
- Energy
- 75/100
- Pop
- 1/100
- Length
- 9:10
- Released
- 2009
- Genre
- Progressive House
- Loudness
- -8.0 dB
- Dynamics
- 10.5 dB
- ISRC
- GBHFW0900166
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Roads Under Ramallah - Ambient Repriseoriginal4B · 124
- Roads Under Ramallah - Namito Wants His Vote Back Mixoriginal9B · 126
- Roads Under Ramallah - Thomas Sagstad Mixoriginal9B · 126
Roads Under Ramallah is a club-tempo progressive house track in A♭ major (4B) at 126 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2009 production that still circulates in sets. More bass-heavy than 96% of Sultan + Shepard's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 93% of Sultan + Shepard's catalogue
- Brightness:
- brighter than 81% of Sultan + Shepard's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Roads Under Ramallah in?
Roads Under Ramallah by Sultan + Shepard is in A♭ major, or 4B on the Camelot wheel.
What BPM is Roads Under Ramallah?
Roads Under Ramallah runs at 126 BPM, a club-tempo track.
What mixes well with Roads Under Ramallah?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Roads Under Ramallah good for peak time?
With energy 75 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Sultan + Shepard
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
