Good - Sami Saari Remix
- BPM
- 126
- Open Key
- 8m
- Energy
- 75/100
- Pop
- 0/100
- Length
- 6:53
- Released
- 2010
- Album
- Good / Apt201
- Genre
- Progressive House
- Loudness
- -10.6 dB
- ISRC
- FR6V81029447
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Good - Kaspar Kochker Remixremix3A · 126
- Good - Original Mixoriginal3A · 126
- Good - Ricky Inch Remixremix2B · 126
Against the original (3A at 126 BPM), this version holds the same tempo in the same key.
Good - Sami Saari Remix runs 126 BPM in B♭ minor (3A), a club-tempo progressive house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Dezza's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 86% of Dezza's catalogue
- Groove:
- groovier than 82% of Dezza's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Good - Sami Saari Remix in?
Good - Sami Saari Remix by Dezza is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Good - Sami Saari Remix?
Good - Sami Saari Remix runs at 126 BPM, a club-tempo track.
What mixes well with Good - Sami Saari Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Good - Sami Saari Remix good for peak time?
With energy 75 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Dezza
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
