
Trapped - Dousk Remix
30s preview
- Key
- 9B · G major
- BPM
- 126
- Open Key
- 2d
- Energy
- 46/100
- Pop
- 0/100
- Length
- 8:52
- Released
- 2008
- Album
- Trapped (Remixes)
- Genre
- Progressive House
- Loudness
- -11.6 dB
- Dynamics
- 12.8 dB
- ISRC
- US83Z2050163
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Trapped (Chris Micali's No Really I Can Make the Kick Louder mix)original8B · 130
- Trapped - Dousk Remixremix9B · 126
- Trapped - Flow & Zeo Remixremix3A · 126
- Trapped - Avilo Remixremix9A · 125
- Trapped - Flow & Zeo Remixremix3A · 126
- Trappedoriginal5A · 130
Against the original (8B at 130 BPM), this version runs 4 BPM slower and moves the key from 8B to 9B.
At 126 BPM in G major (9B), Trapped - Dousk Remix is a club-tempo progressive house production. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2008 production that still circulates in sets. More underground than 99% of Kasey Taylor's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 97% of Kasey Taylor's catalogue
- Groove:
- groovier than 91% of Kasey Taylor's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Trapped - Dousk Remix in?
Trapped - Dousk Remix by Kasey Taylor is in G major, or 9B on the Camelot wheel.
What BPM is Trapped - Dousk Remix?
Trapped - Dousk Remix runs at 126 BPM, a club-tempo track.
What mixes well with Trapped - Dousk Remix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Trapped - Dousk Remix good for peak time?
With energy 46 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 126 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Kasey Taylor
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.