Second Life - Tommyboy Mix
30s preview
- BPM
- 126
- Open Key
- 3d
- Energy
- 47/100
- Pop
- 0/100
- Length
- 8:38
- Released
- 2008
- Album
- Second Life
- Genre
- Progressive House
- Loudness
- -7.8 dB
- Dynamics
- 9.8 dB
- ISRC
- NLF710800382
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Second Life - MDK Mixoriginal10B · 126
Second Life - Tommyboy Mix runs 126 BPM in D major (10B), a club-tempo progressive house record. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2008 production that still circulates in sets. More underground than 99% of Matthew Dekay's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 95% of Matthew Dekay's catalogue
- Low end:
- more bass-heavy than 91% of Matthew Dekay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Second Life - Tommyboy Mix in?
Second Life - Tommyboy Mix by Matthew Dekay is in D major, or 10B on the Camelot wheel.
What BPM is Second Life - Tommyboy Mix?
Second Life - Tommyboy Mix runs at 126 BPM, a club-tempo track.
What mixes well with Second Life - Tommyboy Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Second Life - Tommyboy Mix good for peak time?
With energy 47 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Matthew Dekay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
