Amsterdam - Heiko Laux Berlin Overdub
- Key
- 9A · E minor
- BPM
- 126
- Open Key
- 2m
- Energy
- 46/100
- Pop
- 0/100
- Length
- 8:58
- Released
- 2009
- Album
- Amsterdam
- Genre
- Techno
- Loudness
- -12.4 dB
- ISRC
- GBYNV0901161
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Amsterdam - Original Mixoriginal4B · 126
- Amsterdam - Pirupa & Pigi Remixremix4B · 127
- Amsterdam (original mix)original4B · 126
Against the original (4B at 126 BPM), this version holds the same tempo and moves the key from 4B to 9A.
At 126 BPM in E minor (9A), Amsterdam - Heiko Laux Berlin Overdub is a club-tempo techno production. The feel is dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 99% of Alan Fitzpatrick's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 97% of Alan Fitzpatrick's catalogue
- Groove:
- groovier than 81% of Alan Fitzpatrick's catalogue
- Brightness:
- darker than 79% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Amsterdam - Heiko Laux Berlin Overdub in?
Amsterdam - Heiko Laux Berlin Overdub by Alan Fitzpatrick is in E minor, or 9A on the Camelot wheel.
What BPM is Amsterdam - Heiko Laux Berlin Overdub?
Amsterdam - Heiko Laux Berlin Overdub runs at 126 BPM, a club-tempo track.
What mixes well with Amsterdam - Heiko Laux Berlin Overdub?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Amsterdam - Heiko Laux Berlin Overdub good for peak time?
With energy 46 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 126 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
