I Don't Think About You by Jan Blomqvist cover art

I Don't Think About You

Jan Blomqvist

Key
11A · F♯ minor
BPM
126
Open Key
4m
Energy
45/100
Pop
30/100
Length
7:11
Released
2016
Genre
Deep House
Loudness
-12.6 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

I Don't Think About You runs 126 BPM in F♯ minor (11A), a club-tempo deep house record. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Faster than 97% of Jan Blomqvist's catalogue. For programming, treat it as a mid-set roller.

Groove:
groovier than 96% of Jan Blomqvist's catalogue
Energy:
calmer than 86% of Jan Blomqvist's catalogue
Reach:
better known than 77% of Jan Blomqvist's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy45
Mood15Dark
Groove84
Acoustic80
Instrumental74
Live11
Speech10

Frequency spectrum

amplitude · bass → treble

FAQ

What key is I Don't Think About You in?

I Don't Think About You by Jan Blomqvist is in F♯ minor, or 11A on the Camelot wheel.

What BPM is I Don't Think About You?

I Don't Think About You runs at 126 BPM, a club-tempo track.

What mixes well with I Don't Think About You?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is I Don't Think About You good for peak time?

With energy 45 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More deep house

More from Jan Blomqvist

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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