Rubbo Swingo
- BPM
- 126
- Open Key
- 9d
- Energy
- 48/100
- Pop
- 5/100
- Length
- 7:16
- Released
- 2008
- Genre
- Minimal
- Label
- Leena Music
- Loudness
- -11.1 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rubbo Swingo - Late on the Playa Mixoriginal3B · 126
- Rubbo Swingooriginal4B · 126
Rubbo Swingo: club-tempo minimal, A♭ major (4B), 126 BPM. The feel is dark and steady. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. Calmer than 90% of Rodriguez Jr.'s catalogue.
- Tempo:
- faster than 83% of Rodriguez Jr.'s catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Rubbo Swingo in?
Rubbo Swingo by Rodriguez Jr. is in A♭ major, or 4B on the Camelot wheel.
What BPM is Rubbo Swingo?
Rubbo Swingo runs at 126 BPM, a club-tempo track.
What mixes well with Rubbo Swingo?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Rubbo Swingo good for peak time?
With energy 48 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More minimal
More from Rodriguez Jr.
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
