Talk to the Hand by Solomun cover art

Talk to the Hand

Solomun

30s preview

Key
4B · A♭ major
BPM
126
Open Key
9d
Energy
47/100
Pop
0/100
Length
6:53
Released
2010
Album
Sisi
Genre
Tech House
Label
Leena Music
Loudness
-9.0 dB
Dynamics
9.4 dB
ISRC
DECL11000297

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo tech house cut, Talk to the Hand sits in A♭ major (4B) at 126 BPM. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. More underground than 99% of Solomun's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 88% of Solomun's catalogue
Brightness:
darker than 84% of Solomun's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy47
Mood11Dark
Groove80
Acoustic1
Instrumental94
Live9
Speech12

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Talk to the Hand in?

Talk to the Hand by Solomun is in A♭ major, or 4B on the Camelot wheel.

What BPM is Talk to the Hand?

Talk to the Hand runs at 126 BPM, a club-tempo track.

What mixes well with Talk to the Hand?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Talk to the Hand good for peak time?

With energy 47 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#Track

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More tech house

#Track

More from Solomun

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track