Lullaby - Intro Mix
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 47/100
- Pop
- 0/100
- Length
- 8:02
- Released
- 2016
- Album
- Silk Music Pres. Marsh 01
- Genre
- Progressive House
- Loudness
- -9.0 dB
- Dynamics
- 14.8 dB
- ISRC
- US83Z1647574
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lullaby - Intro Mixoriginal3A · 126
Lullaby - Intro Mix is a club-tempo progressive house track in B♭ minor (3A) at 126 BPM. It reads as dark and steady. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 15 dB). A 2016 production that still circulates in sets. Calmer than 99% of Marsh's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Marsh's catalogue
- Low end:
- more treble-tilted than 87% of Marsh's catalogue
- Tempo:
- faster than 76% of Marsh's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Lullaby - Intro Mix in?
Lullaby - Intro Mix by Marsh is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Lullaby - Intro Mix?
Lullaby - Intro Mix runs at 126 BPM, a club-tempo track.
What mixes well with Lullaby - Intro Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Lullaby - Intro Mix good for peak time?
With energy 47 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
