Fallen Stars - Dub Mix
30s preview
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 51/100
- Pop
- 0/100
- Length
- 6:18
- Released
- 2021
- Album
- People EP
- Genre
- Techno
- Loudness
- -9.3 dB
- Dynamics
- 8.9 dB
- ISRC
- UKFHN2100048
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fallen Starsoriginal8B · 126
Against the original (8B at 126 BPM), this version holds the same tempo in the same key.
At 126 BPM in C major (8B), Fallen Stars - Dub Mix is a club-tempo techno production. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Julian Wassermann's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 89% of Julian Wassermann's catalogue
- Low end:
- more bass-heavy than 75% of Julian Wassermann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Fallen Stars - Dub Mix in?
Fallen Stars - Dub Mix by Julian Wassermann is in C major, or 8B on the Camelot wheel.
What BPM is Fallen Stars - Dub Mix?
Fallen Stars - Dub Mix runs at 126 BPM, a club-tempo track.
What mixes well with Fallen Stars - Dub Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Fallen Stars - Dub Mix good for peak time?
With energy 51 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Julian Wassermann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
