
Interstellar
30s preview
- BPM
- 130
- Open Key
- 5m
- Energy
- 76/100
- Pop
- 0/100
- Length
- 5:55
- Released
- 2016
- Album
- Leftover Love
- Genre
- Techno
- Label
- Blocaus Series
- Loudness
- -15.1 dB
- Dynamics
- 8.8 dB
- ISRC
- NLCK41036487
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Interstellaroriginal12A · 130
- Interstellar - (Stranger Remix)remix2B · 128
A peak-time tempo techno cut, Interstellar sits in D♭ minor (12A) at 130 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Anetha's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more bass-heavy than 98% of Anetha's catalogue
- Groove:
- groovier than 93% of Anetha's catalogue
- Brightness:
- darker than 93% of Anetha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 55%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 9%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Interstellar in?
Interstellar by Anetha is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Interstellar?
Interstellar runs at 130 BPM, a peak-time tempo track.
What mixes well with Interstellar?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Interstellar good for peak time?
With energy 76 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 130 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More techno
More from Anetha
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.