Go Back (feat. Julia Church) - Kyle Watson Remix
30s preview
- Key
- 6A · G minor
- BPM
- 130
- Open Key
- 11m
- Energy
- 75/100
- Pop
- 60/100
- Length
- 3:47
- Released
- 2025
- Album
- Go Back (feat. Julia Church) [Kyle Watson Remix]
- Genre
- House
- Loudness
- -7.1 dB
- Dynamics
- 10.1 dB
- ISRC
- USUG12500725
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Go Back (feat. Julia Church)original6A · 136
- Go Backoriginal6A · 136
- Go Back (feat. Julia Church) - YDG Remixremix6A · 145
Against the original (6A at 136 BPM), this version runs 6 BPM slower in the same key.
Go Back (feat. Julia Church) - Kyle Watson Remix: peak-time tempo house, G minor (6A), 130 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 87% of John Summit's catalogue. For programming, treat it as a floor-filler.
- Energy:
- calmer than 84% of John Summit's catalogue
- Brightness:
- brighter than 78% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Go Back (feat. Julia Church) - Kyle Watson Remix in?
Go Back (feat. Julia Church) - Kyle Watson Remix by John Summit is in G minor, or 6A on the Camelot wheel.
What BPM is Go Back (feat. Julia Church) - Kyle Watson Remix?
Go Back (feat. Julia Church) - Kyle Watson Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Go Back (feat. Julia Church) - Kyle Watson Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Go Back (feat. Julia Church) - Kyle Watson Remix good for peak time?
With energy 75 out of 100 at 130 BPM, it works best as a floor-filler.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 130 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
