Light Years (Matt Sassari extended remix)
- Key
- 9A · E minor
- BPM
- 138
- Open Key
- 2m
- Energy
- 93/100
- Pop
- 70/100
- Length
- 3:41
- Released
- 2025
- Genre
- House
- Loudness
- -4.6 dB
- ISRC
- USUG12505274
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- light years (feat. Inéz)original11B · 138
- light years (feat. Inéz) - Matt Sassari Remixremix9A · 130
Against the original (11B at 138 BPM), this version holds the same tempo and moves the key from 11B to 9A.
At 138 BPM in E minor (9A), Light Years (Matt Sassari extended remix) is a driving up-tempo house production. It is vocal-led. The master is loud and heavily compressed. Better known than 96% of John Summit's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 90% of John Summit's catalogue
- Energy:
- hotter than 81% of John Summit's catalogue
- Groove:
- less groove-driven than 78% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Light Years (Matt Sassari extended remix) in?
Light Years (Matt Sassari extended remix) by John Summit is in E minor, or 9A on the Camelot wheel.
What BPM is Light Years (Matt Sassari extended remix)?
Light Years (Matt Sassari extended remix) runs at 138 BPM, a driving up-tempo track.
What mixes well with Light Years (Matt Sassari extended remix)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Light Years (Matt Sassari extended remix) good for peak time?
With energy 93 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 138 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
