DON'T BELIEVE IT
- BPM
- 128
- Open Key
- 9d
- Energy
- 55/100
- Pop
- 74/100
- Length
- 3:08
- Released
- 2026
- Genre
- House
- Loudness
- -13.9 dB
- ISRC
- USA2P2605967
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 128 BPM in A♭ major (4B), DON'T BELIEVE IT is a peak-time tempo house production. The feel is balanced in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Calmer than 99% of John Summit's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- better known than 98% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is DON'T BELIEVE IT in?
DON'T BELIEVE IT by John Summit is in A♭ major, or 4B on the Camelot wheel.
What BPM is DON'T BELIEVE IT?
DON'T BELIEVE IT runs at 128 BPM, a peak-time tempo track.
What mixes well with DON'T BELIEVE IT?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is DON'T BELIEVE IT good for peak time?
With energy 55 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 128 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
