Into The Trees - Serenetti Part 3
- BPM
- 128
- Open Key
- 8d
- Energy
- 51/100
- Pop
- 0/100
- Length
- 7:22
- Released
- 2006
- Album
- The Last Resort
- Genre
- Tech House
- Loudness
- -16.7 dB
- ISRC
- DKBV70606011
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Into the Trees (Serenetti, Part 3)original3B · 128
- Into the Trees - Live at Roskilde 2007original3B · 128
Into The Trees - Serenetti Part 3: peak-time tempo tech house, D♭ major (3B), 128 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. More underground than 99% of Trentemøller's catalogue.
- Brightness:
- darker than 86% of Trentemøller's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Into The Trees - Serenetti Part 3 in?
Into The Trees - Serenetti Part 3 by Trentemøller is in D♭ major, or 3B on the Camelot wheel.
What BPM is Into The Trees - Serenetti Part 3?
Into The Trees - Serenetti Part 3 runs at 128 BPM, a peak-time tempo track.
What mixes well with Into The Trees - Serenetti Part 3?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Into The Trees - Serenetti Part 3 good for peak time?
With energy 51 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
