Tattered by Marcel Dettmann cover art
Key
3B · D♭ major
BPM
128
Open Key
8d
Energy
52/100
Pop
1/100
Length
4:23
Released
2009
Genre
Techno
Loudness
-10.4 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Tattered is a peak-time tempo techno track in D♭ major (3B) at 128 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. More underground than 84% of Marcel Dettmann's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 78% of Marcel Dettmann's catalogue
Groove:
groovier than 76% of Marcel Dettmann's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy52
Mood36Balanced
Groove80
Acoustic0
Instrumental95
Live8
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Tattered in?

Tattered by Marcel Dettmann is in D♭ major, or 3B on the Camelot wheel.

What BPM is Tattered?

Tattered runs at 128 BPM, a peak-time tempo track.

What mixes well with Tattered?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Tattered good for peak time?

With energy 52 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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