Anything Is Possible
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 53/100
- Pop
- 12/100
- Length
- 6:00
- Released
- 2020
- Album
- Metamorfosi
- Genre
- Techno
- Label
- Redimension
- Loudness
- -13.4 dB
- Dynamics
- 9.6 dB
- ISRC
- ITTQF2000014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Anything Is Possible - Gaetano Parisio Electrowork Remixremix10A · 128
A peak-time tempo techno cut, Anything Is Possible sits in D♭ major (3B) at 128 BPM. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Darker than 95% of Joseph Capriati's catalogue.
- Low end:
- more bass-heavy than 86% of Joseph Capriati's catalogue
- Reach:
- better known than 83% of Joseph Capriati's catalogue
- Energy:
- calmer than 82% of Joseph Capriati's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Anything Is Possible in?
Anything Is Possible by Joseph Capriati is in D♭ major, or 3B on the Camelot wheel.
What BPM is Anything Is Possible?
Anything Is Possible runs at 128 BPM, a peak-time tempo track.
What mixes well with Anything Is Possible?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Anything Is Possible good for peak time?
With energy 53 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Joseph Capriati
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
