Mussian Rother - Exercise One Remix by Pig&Dan cover art

Mussian Rother - Exercise One Remix

Pig&Dan

30s preview

Key
8A · A minor
BPM
128
Open Key
1m
Energy
53/100
Pop
0/100
Length
9:00
Released
2010
Album
Mussian Rother EP
Genre
Techno
Loudness
-12.4 dB
Dynamics
8.5 dB
ISRC
UKPWA2000656

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (10B at 128 BPM), this version holds the same tempo and moves the key from 10B to 8A.

At 128 BPM in A minor (8A), Mussian Rother - Exercise One Remix is a peak-time tempo techno production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. More underground than 99% of Pig&Dan's catalogue. For programming, treat it as a mid-set roller.

Low end:
more bass-heavy than 99% of Pig&Dan's catalogue
Energy:
calmer than 88% of Pig&Dan's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy53
Mood31Dark
Groove80
Acoustic0
Instrumental89
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
57%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
14%
Upper-mid
570 Hz-2.5 kHz
1%
High
2.5-11 kHz

FAQ

What key is Mussian Rother - Exercise One Remix in?

Mussian Rother - Exercise One Remix by Pig&Dan is in A minor, or 8A on the Camelot wheel.

What BPM is Mussian Rother - Exercise One Remix?

Mussian Rother - Exercise One Remix runs at 128 BPM, a peak-time tempo track.

What mixes well with Mussian Rother - Exercise One Remix?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Mussian Rother - Exercise One Remix good for peak time?

With energy 53 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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