Bye Bye My Brain - Dani Sbert Remix
30s preview
- Key
- 7A · D minor
- BPM
- 128
- Open Key
- 12m
- Energy
- 55/100
- Pop
- 0/100
- Length
- 8:00
- Released
- 2017
- Album
- Remixes, Vol. 1
- Genre
- Techno
- Loudness
- -10.9 dB
- Dynamics
- 11.7 dB
- ISRC
- ITZ831000774
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bye Bye My Brain - Ramon Tapia Remixremix9A · 128
- Bye Bye My Brainoriginal11A · 128
- Bye Bye My Brain - Andrea Roma Remixremix5A · 128
- Bye Bye My Brain - Ramon Tapia Remixremix9A · 128
Against the original (11A at 128 BPM), this version holds the same tempo and moves the key from 11A to 7A.
Bye Bye My Brain - Dani Sbert Remix: peak-time tempo techno, D minor (7A), 128 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. Groovier than 99% of Nihil Young's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 99% of Nihil Young's catalogue
- Energy:
- calmer than 97% of Nihil Young's catalogue
- Tempo:
- faster than 89% of Nihil Young's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Bye Bye My Brain - Dani Sbert Remix in?
Bye Bye My Brain - Dani Sbert Remix by Nihil Young is in D minor, or 7A on the Camelot wheel.
What BPM is Bye Bye My Brain - Dani Sbert Remix?
Bye Bye My Brain - Dani Sbert Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Bye Bye My Brain - Dani Sbert Remix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Bye Bye My Brain - Dani Sbert Remix good for peak time?
With energy 55 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 128 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Nihil Young
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
