Slush Fund - Alfred Heinrichs Remix
30s preview
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 59/100
- Pop
- 10/100
- Length
- 8:33
- Released
- 2017
- Album
- Slush Fund
- Genre
- Techno
- Label
- Form Music
- Loudness
- -10.8 dB
- Dynamics
- 14.9 dB
- ISRC
- FR10S1706804
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Slush Fundoriginal9A · 126
- Slush Fund - Moe Danger Remixremix9A · 125
Against the original (9A at 126 BPM), this version runs 2 BPM faster and moves the key from 9A to 8A.
A peak-time tempo techno cut, Slush Fund - Alfred Heinrichs Remix sits in A minor (8A) at 128 BPM. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2017 production that still circulates in sets. Darker than 95% of Simina Grigoriu's catalogue.
- Energy:
- calmer than 84% of Simina Grigoriu's catalogue
- Reach:
- better known than 78% of Simina Grigoriu's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Slush Fund - Alfred Heinrichs Remix in?
Slush Fund - Alfred Heinrichs Remix by Simina Grigoriu is in A minor, or 8A on the Camelot wheel.
What BPM is Slush Fund - Alfred Heinrichs Remix?
Slush Fund - Alfred Heinrichs Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Slush Fund - Alfred Heinrichs Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Slush Fund - Alfred Heinrichs Remix good for peak time?
With energy 59 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Simina Grigoriu
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
