Fleur de Lis by Einmusik cover art

Fleur de Lis

Einmusik

Key
3A · B♭ minor
BPM
128
Open Key
8m
Energy
58/100
Pop
7/100
Length
8:34
Released
2007
Genre
Tech House
Loudness
-13.4 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Fleur de Lis runs 128 BPM in B♭ minor (3A), a peak-time tempo tech house record. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. Faster than 91% of Einmusik's catalogue. For programming, treat it as a mid-set roller.

Energy:
calmer than 82% of Einmusik's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy58
Mood28Dark
Groove80
Acoustic1
Instrumental92
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Fleur de Lis in?

Fleur de Lis by Einmusik is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Fleur de Lis?

Fleur de Lis runs at 128 BPM, a peak-time tempo track.

What mixes well with Fleur de Lis?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Fleur de Lis good for peak time?

With energy 58 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More tech house

More from Einmusik

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track