Read My Ears
30s preview
- BPM
- 128
- Open Key
- 3m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 6:56
- Released
- 2008
- Album
- Bedroom Tactics
- Genre
- Tech House
- Loudness
- -11.0 dB
- Dynamics
- 10.5 dB
- ISRC
- DEEN90800026
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Read My Ears sits in B minor (10A) at 128 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. More underground than 99% of Marc DePulse's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 96% of Marc DePulse's catalogue
- Tempo:
- faster than 95% of Marc DePulse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 2%
- High
- 2.5-11 kHz
FAQ
What key is Read My Ears in?
Read My Ears by Marc DePulse is in B minor, or 10A on the Camelot wheel.
What BPM is Read My Ears?
Read My Ears runs at 128 BPM, a peak-time tempo track.
What mixes well with Read My Ears?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Read My Ears good for peak time?
With energy 61 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 128 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Marc DePulse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
