Deep Thoughts by Joseph Capriati cover art

Deep Thoughts

Joseph Capriati

30s preview

Key
6A · G minor
BPM
128
Open Key
11m
Energy
61/100
Pop
0/100
Length
9:03
Released
2013
Genre
Techno
Loudness
-8.7 dB
Dynamics
7.2 dB
ISRC
GBUR61200125

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo techno cut, Deep Thoughts sits in G minor (6A) at 128 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More underground than 99% of Joseph Capriati's catalogue. For programming, treat it as a mid-set roller.

Groove:
groovier than 93% of Joseph Capriati's catalogue
Low end:
more bass-heavy than 82% of Joseph Capriati's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy61
Mood47Balanced
Groove84
Acoustic0
Instrumental90
Live11
Speech8
darkaggressiveinstrumental

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
45%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
13%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Deep Thoughts in?

Deep Thoughts by Joseph Capriati is in G minor, or 6A on the Camelot wheel.

What BPM is Deep Thoughts?

Deep Thoughts runs at 128 BPM, a peak-time tempo track.

What mixes well with Deep Thoughts?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Deep Thoughts good for peak time?

With energy 61 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More techno

More from Joseph Capriati

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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