Bye Bye My Brain - Andrea Roma Remix by Nihil Young cover art

Bye Bye My Brain - Andrea Roma Remix

Nihil Young

30s preview

Key
5A · C minor
BPM
128
Open Key
10m
Energy
66/100
Pop
0/100
Length
7:39
Released
2009
Album
Bye Bye My Brain, Pt. 1
Genre
Techno
Loudness
-8.2 dB
Dynamics
13.8 dB
ISRC
ITC150900055

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (11A at 128 BPM), this version holds the same tempo and moves the key from 11A to 5A.

A peak-time tempo techno cut, Bye Bye My Brain - Andrea Roma Remix sits in C minor (5A) at 128 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2009 production that still circulates in sets. More underground than 99% of Nihil Young's catalogue. In a set it works best as a mid-set roller.

Tempo:
faster than 89% of Nihil Young's catalogue
Energy:
calmer than 87% of Nihil Young's catalogue
Groove:
groovier than 79% of Nihil Young's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy66
Mood41Balanced
Groove80
Acoustic3
Instrumental81
Live4
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Bye Bye My Brain - Andrea Roma Remix in?

Bye Bye My Brain - Andrea Roma Remix by Nihil Young is in C minor, or 5A on the Camelot wheel.

What BPM is Bye Bye My Brain - Andrea Roma Remix?

Bye Bye My Brain - Andrea Roma Remix runs at 128 BPM, a peak-time tempo track.

What mixes well with Bye Bye My Brain - Andrea Roma Remix?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Bye Bye My Brain - Andrea Roma Remix good for peak time?

With energy 66 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More techno

More from Nihil Young

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track