Bye Bye My Brain - Ramon Tapia Remix
30s preview
- Key
- 9A · E minor
- BPM
- 128
- Open Key
- 2m
- Energy
- 43/100
- Pop
- 0/100
- Length
- 7:36
- Released
- 2009
- Album
- Bye Bye My Brain, Pt. 1
- Genre
- Techno
- Loudness
- -10.4 dB
- Dynamics
- 9.4 dB
- ISRC
- ITC150900053
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bye Bye My Brain - Dani Sbert Remixremix7A · 128
- Bye Bye My Brain - Ramon Tapia Remixremix9A · 128
- Bye Bye My Brainoriginal11A · 128
- Bye Bye My Brain - Andrea Roma Remixremix5A · 128
Against the original (11A at 128 BPM), this version holds the same tempo and moves the key from 11A to 9A.
Bye Bye My Brain - Ramon Tapia Remix is a peak-time tempo techno track in E minor (9A) at 128 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Calmer than 99% of Nihil Young's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Nihil Young's catalogue
- Low end:
- more bass-heavy than 98% of Nihil Young's catalogue
- Groove:
- groovier than 93% of Nihil Young's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 45%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Bye Bye My Brain - Ramon Tapia Remix in?
Bye Bye My Brain - Ramon Tapia Remix by Nihil Young is in E minor, or 9A on the Camelot wheel.
What BPM is Bye Bye My Brain - Ramon Tapia Remix?
Bye Bye My Brain - Ramon Tapia Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Bye Bye My Brain - Ramon Tapia Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Bye Bye My Brain - Ramon Tapia Remix good for peak time?
With energy 43 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Nihil Young
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
