Loss
30s preview
- BPM
- 123
- Open Key
- 7m
- Energy
- 95/100
- Pop
- 38/100
- Length
- 3:45
- Released
- 2020
- Album
- Loss/Bow To The Rain
- Genre
- Progressive House
- Label
- Zerothree Music
- Loudness
- -7.1 dB
- Dynamics
- 11.0 dB
- ISRC
- GBJAJ2000638
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Loss - Extended Mixversion12A · 123
A club-tempo progressive house cut, Loss sits in E♭ minor (2A) at 123 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 99% of Nihil Young's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- hotter than 93% of Nihil Young's catalogue
- Tempo:
- slower than 89% of Nihil Young's catalogue
- Low end:
- more treble-tilted than 87% of Nihil Young's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Loss in?
Loss by Nihil Young is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Loss?
Loss runs at 123 BPM, a club-tempo track.
What mixes well with Loss?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Loss good for peak time?
With energy 95 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 123 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
![Static Sky (Breakbeat Mix) [Edit] by Hernan Cattaneo cover art](https://i.scdn.co/image/ab67616d00001e021bcd824b96638e5905d674fa){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
