Gruenschenkel - 2000 and One Rmx by Dominik Eulberg cover art

Gruenschenkel - 2000 and One Rmx

Dominik Eulberg

30s preview

Key
4A · F minor
BPM
127
Open Key
9m
Energy
66/100
Pop
0/100
Length
7:53
Released
2007
Album
Grünschenkel Remixe
Genre
Techno
Label
Traum Schallplatten
Loudness
-14.9 dB
Dynamics
19.4 dB
ISRC
DEBW20700099

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Gruenschenkel - 2000 and One Rmx is a peak-time tempo techno track in F minor (4A) at 127 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 19 dB). A 2007 production that still circulates in sets. More underground than 99% of Dominik Eulberg's catalogue. In a set it works best as a mid-set roller.

Low end:
more treble-tilted than 95% of Dominik Eulberg's catalogue
Groove:
groovier than 83% of Dominik Eulberg's catalogue
Brightness:
brighter than 81% of Dominik Eulberg's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy66
Mood53Balanced
Groove80
Acoustic4
Instrumental92
Live4
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
25%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
27%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Gruenschenkel - 2000 and One Rmx in?

Gruenschenkel - 2000 and One Rmx by Dominik Eulberg is in F minor, or 4A on the Camelot wheel.

What BPM is Gruenschenkel - 2000 and One Rmx?

Gruenschenkel - 2000 and One Rmx runs at 127 BPM, a peak-time tempo track.

What mixes well with Gruenschenkel - 2000 and One Rmx?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Gruenschenkel - 2000 and One Rmx good for peak time?

With energy 66 out of 100 at 127 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 127 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More techno

More from Dominik Eulberg

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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