Monster in the Box - Phase Remix
30s preview
- BPM
- 127
- Open Key
- 9d
- Energy
- 68/100
- Pop
- 3/100
- Length
- 8:08
- Released
- 2007
- Album
- Monster in the Box - Remixes
- Genre
- Minimal
- Label
- Autist
- Loudness
- -11.8 dB
- Dynamics
- 12.7 dB
- ISRC
- DEZ650702989
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Monster In The Boxoriginal3A · 130
- Monster In The Box - Phase Remixremix4B · 127
- Monster in the Boxoriginal3A · 130
- Monster in the Box - Jitzu & Sire_G Mixoriginal3B · 125
- Monster in the Box - Niko Schwind Rmxremix3B · 128
- Monster in the Box - Original Mixoriginal3A · 130
Against the original (3A at 130 BPM), this version runs 3 BPM slower and moves the key from 3A to 4B.
At 127 BPM in A♭ major (4B), Monster in the Box - Phase Remix is a peak-time tempo minimal production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2007 production that still circulates in sets. Faster than 92% of Boris Brejcha's catalogue.
- Reach:
- more underground than 91% of Boris Brejcha's catalogue
- Low end:
- more bass-heavy than 78% of Boris Brejcha's catalogue
- Groove:
- less groove-driven than 75% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Monster in the Box - Phase Remix in?
Monster in the Box - Phase Remix by Boris Brejcha is in A♭ major, or 4B on the Camelot wheel.
What BPM is Monster in the Box - Phase Remix?
Monster in the Box - Phase Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Monster in the Box - Phase Remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Monster in the Box - Phase Remix good for peak time?
With energy 68 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 127 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More minimal
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
