Monster in the Box - Original Mix
30s preview
- BPM
- 130
- Open Key
- 8m
- Energy
- 54/100
- Pop
- 3/100
- Length
- 7:16
- Released
- 2007
- Album
- Monster in the Box - Remixes
- Genre
- Minimal
- Label
- Autist
- Loudness
- -9.0 dB
- Dynamics
- 11.7 dB
- ISRC
- DEZ650702990
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Monster In The Boxoriginal3A · 130
- Monster In The Box - Phase Remixremix4B · 127
- Monster in the Boxoriginal3A · 130
- Monster in the Box - Jitzu & Sire_G Mixoriginal3B · 125
- Monster in the Box - Niko Schwind Rmxremix3B · 128
- Monster in the Box - Phase Remixremix4B · 127
Monster in the Box - Original Mix is a peak-time tempo minimal track in B♭ minor (3A) at 130 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. Faster than 95% of Boris Brejcha's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 91% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Monster in the Box - Original Mix in?
Monster in the Box - Original Mix by Boris Brejcha is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Monster in the Box - Original Mix?
Monster in the Box - Original Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Monster in the Box - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Monster in the Box - Original Mix good for peak time?
With energy 54 out of 100 at 130 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More minimal
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
