Monster in the Box - Niko Schwind Rmx
30s preview
- BPM
- 128
- Open Key
- 8d
- Energy
- 71/100
- Pop
- 3/100
- Length
- 6:58
- Released
- 2007
- Album
- Monster in the Box - Remixes
- Genre
- Minimal
- Label
- Autist
- Loudness
- -10.0 dB
- Dynamics
- 11.1 dB
- ISRC
- DEZ650702987
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Monster In The Boxoriginal3A · 130
- Monster In The Box - Phase Remixremix4B · 127
- Monster in the Boxoriginal3A · 130
- Monster in the Box - Jitzu & Sire_G Mixoriginal3B · 125
- Monster in the Box - Original Mixoriginal3A · 130
- Monster in the Box - Phase Remixremix4B · 127
Against the original (3A at 130 BPM), this version runs 2 BPM slower and moves the key from 3A to 3B.
A peak-time tempo minimal cut, Monster in the Box - Niko Schwind Rmx sits in D♭ major (3B) at 128 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2007 production that still circulates in sets. Faster than 93% of Boris Brejcha's catalogue. In a set it works best as a floor-filler.
- Reach:
- more underground than 91% of Boris Brejcha's catalogue
- Low end:
- more bass-heavy than 83% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Monster in the Box - Niko Schwind Rmx in?
Monster in the Box - Niko Schwind Rmx by Boris Brejcha is in D♭ major, or 3B on the Camelot wheel.
What BPM is Monster in the Box - Niko Schwind Rmx?
Monster in the Box - Niko Schwind Rmx runs at 128 BPM, a peak-time tempo track.
What mixes well with Monster in the Box - Niko Schwind Rmx?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Monster in the Box - Niko Schwind Rmx good for peak time?
With energy 71 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More minimal
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
