I'm The One - Seth Troxler Remix by Seth Troxler cover art

I'm The One - Seth Troxler Remix

Seth Troxler

30s preview

Key
3B · D♭ major
BPM
128
Open Key
8d
Energy
72/100
Pop
8/100
Length
9:10
Released
2021
Album
I'm The One (Seth Troxler Remix)
Genre
Minimal
Loudness
-9.8 dB
Dynamics
10.1 dB
ISRC
GBKQU2193421

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo minimal cut, I'm The One - Seth Troxler Remix sits in D♭ major (3B) at 128 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 79% of Seth Troxler's catalogue. For programming, treat it as a floor-filler.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy72
Mood29Dark
Groove76
Acoustic0
Instrumental57
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is I'm The One - Seth Troxler Remix in?

I'm The One - Seth Troxler Remix by Seth Troxler is in D♭ major, or 3B on the Camelot wheel.

What BPM is I'm The One - Seth Troxler Remix?

I'm The One - Seth Troxler Remix runs at 128 BPM, a peak-time tempo track.

What mixes well with I'm The One - Seth Troxler Remix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is I'm The One - Seth Troxler Remix good for peak time?

With energy 72 out of 100 at 128 BPM, it works best as a floor-filler.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More minimal

More from Seth Troxler

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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