Play In The Dark
30s preview
- Key
- 1B · B major
- BPM
- 129
- Open Key
- 6d
- Energy
- 78/100
- Pop
- 29/100
- Length
- 4:56
- Released
- 2021
- Album
- Play in the Dark
- Genre
- Tech House
- Label
- Crosstown Rebels
- Loudness
- -9.8 dB
- Dynamics
- 8.2 dB
- ISRC
- GB7NR2124801
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Play In The Dark - Troxler's Freak Mixoriginal1B · 129
- Play In The Dark - Steam Mixoriginal2B · 129
Play In The Dark runs 129 BPM in B major (1B), a peak-time tempo tech house record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 90% of Seth Troxler's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 89% of Seth Troxler's catalogue
- Reach:
- better known than 89% of Seth Troxler's catalogue
- Energy:
- hotter than 77% of Seth Troxler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 50%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Play In The Dark in?
Play In The Dark by Seth Troxler is in B major, or 1B on the Camelot wheel.
What BPM is Play In The Dark?
Play In The Dark runs at 129 BPM, a peak-time tempo track.
What mixes well with Play In The Dark?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Play In The Dark good for peak time?
With energy 78 out of 100 at 129 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 129 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More tech house
More from Seth Troxler
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
