Heights - Mark Broom Remix
30s preview
- BPM
- 128
- Open Key
- 6m
- Energy
- 79/100
- Pop
- 0/100
- Length
- 5:30
- Released
- 2020
- Album
- Ripsaw EP
- Genre
- Tech House
- Label
- Under No Illusion Recordings
- Loudness
- -6.9 dB
- Dynamics
- 11.1 dB
- ISRC
- GBSCL2035041
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Heights - Original Mixoriginal8B · 125
- Heights - Daddy Dino Remixremix10A · 135
- Heights - The Deepshakerz Remixremix4B · 125
Against the original (8B at 125 BPM), this version runs 3 BPM faster and moves the key from 8B to 1A.
A peak-time tempo tech house cut, Heights - Mark Broom Remix sits in A♭ minor (1A) at 128 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). More underground than 99% of Ki Creighton's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 87% of Ki Creighton's catalogue
- Groove:
- less groove-driven than 87% of Ki Creighton's catalogue
- Brightness:
- darker than 84% of Ki Creighton's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Heights - Mark Broom Remix in?
Heights - Mark Broom Remix by Ki Creighton is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Heights - Mark Broom Remix?
Heights - Mark Broom Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Heights - Mark Broom Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Heights - Mark Broom Remix good for peak time?
With energy 79 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 128 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Ki Creighton
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
