The Less I Know the Better (extended mix)
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 80/100
- Pop
- 72/100
- Length
- 2:56
- Released
- 2025
- Genre
- Tech House
- Loudness
- -7.4 dB
- Dynamics
- 14.0 dB
- ISRC
- USNRS2543977
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Less I Know the Better (extended mix) is a peak-time tempo tech house track in F♯ minor (11A) at 128 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 14 dB). Calmer than 99% of Mau P's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 95% of Mau P's catalogue
- Low end:
- more treble-tilted than 94% of Mau P's catalogue
- Reach:
- better known than 90% of Mau P's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is The Less I Know the Better (extended mix) in?
The Less I Know the Better (extended mix) by Mau P is in F♯ minor, or 11A on the Camelot wheel.
What BPM is The Less I Know the Better (extended mix)?
The Less I Know the Better (extended mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with The Less I Know the Better (extended mix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is The Less I Know the Better (extended mix) good for peak time?
With energy 80 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Mau P
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
