(Hey You) What's That Sound (ft. Les Rythmes Digitales)
30s preview
- BPM
- 128
- Open Key
- 8m
- Energy
- 81/100
- Pop
- 26/100
- Length
- 3:30
- Released
- 2024
- Genre
- Tech House
- Loudness
- -7.6 dB
- Dynamics
- 13.2 dB
- ISRC
- GBENL2403921
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
(Hey You) What's That Sound (ft. Les Rythmes Digitales) runs 128 BPM in B♭ minor (3A), a peak-time tempo tech house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More treble-tilted than 88% of Ben Sterling's catalogue.
- Reach:
- better known than 82% of Ben Sterling's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is (Hey You) What's That Sound (ft. Les Rythmes Digitales) in?
(Hey You) What's That Sound (ft. Les Rythmes Digitales) by Ben Sterling is in B♭ minor, or 3A on the Camelot wheel.
What BPM is (Hey You) What's That Sound (ft. Les Rythmes Digitales)?
(Hey You) What's That Sound (ft. Les Rythmes Digitales) runs at 128 BPM, a peak-time tempo track.
What mixes well with (Hey You) What's That Sound (ft. Les Rythmes Digitales)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is (Hey You) What's That Sound (ft. Les Rythmes Digitales) good for peak time?
With energy 81 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Ben Sterling
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
